2019-2024 / Archive / Editorial / Print / Illustration

Archived Projects

Selected print, editorial, advertising, type, and illustration studies from 2019–2024, gathered as an evolving record of earlier work.

Four illustrated redesigns for Faust and Paradise Lost arranged together.
Role

Art direction, graphic design, and illustration

Client

Selected clients and self-initiated studies

Medium

Book covers, Posters and booklets, Advertising, Type and information studies

Location

Honolulu

Images

16 visual moments

Four illustrated book-cover redesigns for Faust and Paradise Lost.
01 A paired cover study for two favorite books: Faust and Paradise Lost.
Two red-orange Faust books displayed on a light surface.
02 The Faust direction uses heat, scale, and a small central figure to suggest consequence and temptation.
Paradise Lost hardback book with a blue and violet illustrated cover.
03 Paradise Lost shifts to colder color and a falling figure, giving the pair contrast without losing kinship.

Book-cover redesign

Two favorite texts became a focused illustration and object-design study.

Faust and Paradise Lost were redesigned as a pair without flattening their different emotional worlds: Faust burns in red and orange, while Paradise Lost falls through blue and violet. Shared scale, typography, and physical mockups connect the books as one self-study.

Hardcover Faust mockup showing front and back covers.
The illustration system continues around the hardback object instead of stopping at the front cover.

Book-cover redesign

This began as a fun self-study and a test of my illustrative skills at the time. I redesigned cover sleeves for two of my favorite books, Faust and Paradise Lost, treating them as a related pair while giving each story its own atmosphere.

For Faust, a hot red-orange field and a small central figure create tension between temptation and consequence. Paradise Lost moves into blue and violet, using a falling figure and colder space to shift the emotional register. The shared typography, scale, and mockup language keep the two books connected.

The study goes beyond a flat cover. Spines, back covers, hardback wraps, paired displays, and multiple editions show how each illustration behaves as a physical book.

The larger archive gathers independent posters, booklets, chart studies, print advertisements, and other earlier work. Some pieces are quick formal exercises; others became public-facing outcomes in magazines, newspapers, and exhibition spaces.

One type study draws from Futura and from ink traps used before modern printing techniques. Instead of hiding those practical cuts, the design enlarges them until they become the defining visual feature. A fictional currency project takes a different approach, using denomination, pattern, portraiture, and national symbolism to build a coherent system for an imagined nation-state.

Published and installed work

The Ka Leo centennial work demonstrates how a compact printed advertisement can expand into a spatial experience. The advertisement, exhibition graphics, and physical installation share a visual language while adapting to very different scales.

Together these projects document a period of experimentation: learning how typography, illustration, information, material, and format can each carry a story.

Related work

Continue through the archive